Linotype Machines in the News November 9th, 2019

This Linotype Machine news is not about the machine, but it is about the legend and legacy of the man who invented it. This short article discusses Linotype Machine inventor Ottmar Mergenthlar's grandson George Mergenthaler who was killed while fighting in WWII. An interesting bit from the article: "When his grandfather Ottmar died in 1899 the family was worth $43 million." That's news to me. I had the idea that Ottmar died a heart-broken man, who due to business decisions was pushed out of the company that he built. I also was left with the idea that he was swindled out of equity in the business, but $43 million in 1899 would certainly indicate otherwise.

Published by Rockland/Westchester Journal News and written by David Propper

Linotype Machines in the News November 13th, 2019

Hey! It's our buddy Michael Babcock in the Boston Globe! And he is "bringing it." Meaning, man, look at that machine. You can see the hours of care and maintenance Michael has put into keeping that model 31 happy. That thing is gorgeous. As an example of his dedication to maintenance, check out what appears to be a polished piece of aluminum custom fitted to help slug shavings stay within the waste tray below the pot. Nice idea. Also, check out the compositor's chair. I've not seen one as clean and in pristine condition as that one. Anyway, the guy isn't messing around, and it's nice to see him featured in this article by Brian MacQuarrie. Published in the Boston Globe November 10, 2019. Article here: With Linotype print, the old is new again. To get in touch with Michael and/or to see his work, check these links: Linotypesetting and Interrobang Letterpress.

Linotype Machines in the News October 30th, 2019

Ah, more Linotype news. This article is an excellent retrospective of a newspaper worker's life, and how the craft and traditions were passed along through multiple generations. It contains details about Linotype Machine operation, the International Typographical Union and provides a nice snapshot on newspaper print shop culture of the time. Well written and worth the read. Penned by John T. Sullivan, published by The Palladium-Times of Oswego, New York Oct 30, 2019.

Linotype Machines in the News July 20th, 2019

Linotype Machines in the news! Found today within an article posted by orilliamatters.com (Ontario). The Linotype is mentioned only briefly within this article, but the quote describes running a Linotype Elektron, and how breaking news was distributed via punched paper tape. To see this process, visit Doug Wilson's Linotype film archive.

Linotype Machines in the News June 30th, 2019

Linotype Machines in the news! Found today within an article published by Cosmos Magazine. Contained within is a very brief overview of over 400 years of print technology. Notable in the brief article is this bit which offers an important caveat to Gutenberg's contribution to commercial printing:

“Key innovations in what would become revolutionary printing technology began in east Asia, with work done by Chinese nobles, Korean Buddhists, and the descendants of Genghis Khan,” says M Sophia Newman, in a Literary Hub article, “So, Gutenberg didn’t actually invent the printing press”.

Otherwise worth the click to read the brief bio on our man Ottmar Mergenthaler, and to see the modern pic of a well used yet well cared for Linotype Machine.

Linotype Machines in the News June 2nd, 2019

Linotype Machines in the news! Found today within an article published by the Index-Journal in Greenwood, South Carolina. The article announces an exhibit at The Museum and Railroad Historical Center which focuses on this independent family run newspaper's history. From the article: "This daily paper has weathered tremendous change in the newspaper industry as well as changes in its community and the world, chronicling more than 25 United States presidents, the civil rights movement, natural disasters and historic events at home and abroad, giving special focus to local news, sports and features." Among other items of interest, The Museum has one of the Index-Journal's Linotype machine which will be on permanent display. Apparently the machine is still in working condition.

Linotype Machines in the news April 28th, 2019

Linotype Machines in the news found today within an article published by "The Nelson Mail." It describes the city of Nelson, New Zealand's annual heritage fair which takes place at their Founders Heritage Park. It appears that there are a couple working Linotype machines on exhibit, and in use! This heritage park also has a very interesting set up - in addition to functioning as a museum, the facilities are used by working artisans. As such, a contemporary art and design business called "The Armarie Room" run by Renee Hadlow is housed in the facility, where commercial work is produced and workshops are offered. Good way to keep the craft alive, me thinks.

Garage shop is shaping up!

New concrete slab poured, walls insulated, plywood sheathing added, 240 volt circuit added, LED shop lights installed, 240 volt shop heater installed... we managed to run some ink and bust out a couple print jobs last week. Fortunately Rebecca is a master at organization. This space will fill up fast. That said, I'm very excited about this cute little shop space. It is going to be a nice manageable way to keep ink flowing while settling-in after the hectic push of the last several months to clear out of the Stumptown Printers space.

Equipment Storage

Temporary storage for 30,000 pounds of equipment which has called Stumptown Printers home for the last 11-20 years. Linotype machine, 8 full magazine racks, proof press, Heidelberg 13"x18", 8"x12" platen, stones, guillotine cutter, type cabinets and more. The container will live on the outskirts of town near Clackamas. Eric squirreled away some offset presses and equipment at his in-law's barn up in the Skagit Valley, Washington. While the press operators will still be toiling away in the city, much of the Stumptown Printers equipment will be enjoying a countryside respite for at least a couple of months.

Stumptown Printers: Ship Shape and Shipped Out

At the eleventh hour on the last day of January we managed to clear out the Stumptown Printers shop space. 20 years as a business. 11 years at this shop. Whew. What a journey. If we hadn't been down to the wire, it would have been ideal to have some sort of shindig to celebrate 20 years and future projects. Maybe a roller skating party or something like that. But, things don't always work out that way. Now we have to move on to caring for our presses and Linotype in storage, and to continue to set up the home print shop....

Linotype machines in the news November 25th, 2018

A shop built to house a small community hotmetal newspaper (composed by Linotype) which covered the early days of Cesar Chavez and the farm labor movement, now functions as a hub for local artists. Link to article here. via: montereycountyweekly.com Notes: Castroville Times

The Point.

Another print run of “The Point.” The Point is a newsletter from the C.C. Stern Type Foundry. With “miscellaneous missives” penned by foundry volunteers. Composition was originally cast at the 11th hour before leaving for the 2018 American Type Casting Fellowship Conference. Types used: Linotype 10pt Caledonia 496 with Metro Medium and italic 462. Heading is set in Jensen Bold and cast on the Ludlow. There’s a sampling of DeVinne Monotype No. 11 cast on the Monotype sorts caster. Also miscellaneous Lino and Monotype decorative material.

Lino Lager Report

The Lino Lager label has been archived in "Fonts in Use!” Thank you Nick Sherman for the write up and for adding it.

The cap of the last Lino Lager has been popped and this limited bottling is long gone, so it's a good time for a follow up.

Several Linotype enthusiasts gave themselves a break from their “etaoin shrdlu” keyboards long enough to take a “slug” of this project - it was a good excuse to catch up with fellow line-casting and hot-metal print misfits.

The following are some highlights:

Thanks to Linotype operator and Baltimore Museum of Industry volunteer Steve Cole, the beer made it to the birthplace of the Linotype machine and Ottmar Mergenthaler’s long time home: Baltimore, Maryland. Steve Cole and Ray Loomis enjoyed a couple “slugs” of the Lino Lino lager after their volunteer shift at the museum, and properly honored the machine and the man with their celebration.

Our good pals Dave and Gnu from Dayton, Ohio couldn't make it, but they sent flowers to arrive in time for tasting event to help class the joint up a bit. Thanks guys!

Mr. Doug Wilson, director of “Linotype, the Film” broke away from the busy schedule at TypeCon and was able to join us at Stumptown Printers for the tasting party. It was very nice to catch up with Doug, talk Linotype machines, socialize with other TypeCon attendees, and to have more than a couple tastes of the then-two-day-fresh Lino Lager by Royale Brewing.

Frank Romano (author of History of the Linotype Company and executive committee member of the Museum Of Printing) participated, though he may not have known it. While chewing the fat about the origins of Mathew Carter’s Olympian typeface, Doug emailed Frank to get the story. Frank quickly responded and confirmed that in fact Olympian was the last Linotype face cut for hot metal composition. In fact, here’s a list of the last five faces that Linotype produced matrices for:

1971 OCR-B

1972 Helvetica Condensed with Bold Condensed

1972 Helvetica Condensed with Bold Condensed

1972 Olympian with Bold

1972 Olympian with Italic

Thanks for the info, Frank.

Like an old pro, Amy Redmond knew what to do with her bottle of Lino Lager. She sat on the stoop of her pal's house while visiting Portland and slugged it down after delivering a killer talk at TypeCon earlier that day.

A Lino Lager made it out to the Boston neighborhood of Jamaica Plain and into the clutches of my buddy and fellow Linotype operator Michael Babcock of Interrobang Letterpress. After it arrived, we jabber-jawed like a couple teenagers on the phone for about an hour while catching up and swapping Lino stories. Michael has been tuning up his machine and has been documenting some of his work here. His 31 is looking real clean, and he is putting a lot of love into it. Solid work.

Speaking of work, Bill and Tristin Spurling of Linotype.org happen to be darn good brewers and Linotype mechanics and hard working fellas. Naturally a couple of Lino Lagers landed at their Linotype farm in Yamhill, Oregon. It was good to check in with the lads.

Bill Washburn, Local craft printer, long time Linotype operator, mentor, friend, and pusher of lino-mats received a bottle of the lager, and as a result, it brought him out of his retired life and inspired him to visit us at the C.C. Stern Type Foundry. He's always got a good story, and it's always good to see him.

The C.C. Stern Type Foundry crew are always game for hot metal and print, after the special TypeCon C.C. Stern Type Foundry open house, the foundry team along with TypeCon attendees headed to nearby Royale Brewing to have pints of the Lino Lager and continue discussions about type and metallurgy.

Finally, the last 4 bottles traveled with us to the 2018 ATF conference hosted by M & H Type in San Francisco. As usual, it was an inspiring conference, and the crew at M & H did a fantastic job putting it all together. We put two of the bottles up on the auction block for the American Type Casting Fellowship fundraising auction. Auctioneer Greg Walters busted me by catching a typo on the label which I wasn’t aware of. Dang. A humbling blunder in that room full of master typographers and typesetters. Alas, Norman McKnight was a good sport and bid on the beers anyway, the sale of the beers raised a little money for the organization, and then Norman shared his winnings with the thirsty crew. It was an honor to pop the last tops of the Lino Lager at that event.

Update! I was reminded of additional Lino Lager adventures:

A bottle made it to Colorado, where its contents were enjoyed by board members and volunteers at the Letterpress Depot.

Myrna from Expedition Press stopped by the C.C. Stern Foundry during the TypeCon open house where 2 or 3 bottles stowed away with her back to the Expedition headquarters in Washington state.

Also, apparently a full bottle *still* exists within the worker's fridge at the Letterform Archive. Those folks hosted a special viewing of select materials from the archive during the American Typecasting Fellowship Conference. It was an amazing presentation and curation of the collection. Thanks for that, guys! As for the currently un-opened lager, I'll present you with this caveat: The lager is delicious when fresh, but the longer it sits, the more the taste resembles the first part of the name rather than the second. So if you decide to drink it, please keep that in mind!

Lino-Lager!

I'll be casting some type and decorative border for a snazzy beer label,  I hope to post some pics soon. Below is info about this collaboration from blog originally posted on the Stumptown Printers website.... 

Save the Date!

Friday, August 3rd 7:00 PM - 9:00 PM
Stumptown Printers Worker Cooperative
Steps away from the Yellow Line Albina/Mississippi MAX Station
2293 N. Interstate Ave
Portland, OR 97227
503-233-7478

In honor of the Linotype Machine, commercial print and a job well done, enjoy a taste of “Lino-Lager,” a limited bottling of Royale Brewing’s most popular brew. This limited bottling will be adorned with labels composed on our in-house 1946 Linotype model 31 machine. Hang out, talk shop and traditional print in a classic commercial print shop while the sun sets over the Fremont Bridge. The Linotype machine will be on, we’ll be casting Caledonia 10 ^ 496 for a new C.C. Stern Type Foundry publication. Demos will be given until the operator has consumed too much "Lino-Lager." There will be a small supply Lino-Lager bottles available for purchase. Come raise a glass Ottmar Mergenthaler, his amazing machine and to hot-metal type composition. See you there!

Horsenecks Fiddlehead Available now!

The official CD release show is a week from today at the Moon and Sixpence Pub, but I've got some available for purchase here and now. Cover designed and printed entirely from Linotype composition. The package design is "The Fremont Folder" by Stumptown Printers. See additional pictures, specifications and information about this print here. To learn more about the music, click here.

A silver (type metal) lining

Folks, it has been an interesting time in my world of commercial print. General overhead and cost of doing business is going way up, print runs have been going way down. The customer base at my workplace Stumptown Printers is still going strong, the commercial work that we do is always fun and challenging, but the name of the game in the industry are clicks on the press, and the clicks aren't what they used to be. Gone are the days of 15,000 "limited edition" custom paper-based CD packages. Low clicks and high costs aren't a good recipe for a "mom and pop" commercial job shop. We're hanging in there, riding it out as long as we can, and also adjusting our vision for a future of "analog" ink-on-paper classic printing.  

Honestly, while I'm worried about our business and my livelihood, I have more concern for the music biz as a whole, and especially how decreased sales of physical music releases have impacted aspiring independent musicians. Man. Without sales of affordable music media*, it's tough for the small independent artist to make enough scratch to cover the expenses of tour, etc. Really, I don't know how "the kids" do it these days, and I hope that the tradition of hopping in a beat-up van with your bandmates to tour and share music, build community, have an adventure, and learn a thing or two about life is still viable. Gotta give those musicians love, folks. Please support them, 'cause it is getting tough to be a troubadour. And the troubadours make the world a better place.    

Back to print. There is a silver lining to a lean commercial production schedule: I've had time to plant myself in the Linotype chair and work on creating composition for printing that is outside the scope of Stumptown Printers’ normal “job work.” It has been an absolute thrill to bond with the machine again. Really, I can't believe that a dirt-bag-commercial printer like myself has the opportunity to operate such a thing of beauty — a thing that in my mind stands as a monument to the machine era, the poetic balance of human hand, human touch, human ingenuity and power of cast iron, steel and brass driven by motors and flywheels. The Linotype machine is art and industry and everything in-between, and... it still works. It is still telling its story. Imagine that. My machine is from 1946. It has been through a lot. A lot of operators. A lot of news. A lot of celebration. A lot of death. A lot of all of it. And while it needs attention and repairs, it still dutifully creates beautiful type. Some of which has never been digitized, has never seen a computer. And all of which looks a heckuva lot more beautiful and much more of this world than its digital counterpart. It is a gorgeous thing.

I can count myself among a relatively small handful of folks who have the honor to be the custodians of these wonderful hot metal type composition machines, and as such, it is my goal to keep this one in good working order and casting nice type beyond my time at its keyboard. Just as the operators before me have done. That's the idea. And that goal can't be accomplished if the machine is idle. It is happiest when it is doing what it was designed to do: cast type.

So let’s do it! Time to cast.

Below is a list of projects that I’ll be working on while I have the extra time to sit behind the Linotype keyboard. I'm sharing these projects with you to put a little extra pressure on myself to see these projects through to the inking stage. Thank you for being an unsuspecting accomplice.

• The Horsenecks "Fiddlehead" CD cover. Printed exclusively from Linotype Composition. Additional info here.
• Lino-Lager beer labels, coasters, and ephemera. Yes! A beer to honor the Linotype and its inventor: Ottmar Mergenthaler (I’ll be handling the printing and Linotype, not the beer-making)
• Composition for a series of mesostic poems for artist, mentor and good friend Barbara Tetenbaum.
• Mother Foucault's Bookshop monthly calendar of events (See post here)
• 12"x12" broadside subscription series
• An artist book for my buddy Mark Owens. I cast this type years ago, but haven’t finished it. Time to dust it off and put some ink to the forms.
•  Linotype Matrix Slide Being. 3rd in a series of 6. (Previous prints can be viewed here and here)
• Composition for “The Point” a small publication put together by the C.C. Stern Type Foundry Crew.   
• Linotype Matrix slide inventory and notecards. Over the years I’ve acquired a fair amount of border Matrix slides. Many of them have not been identified or inventoried, so I hope to print a limited selection of note cards using the border matrix slides as I’m identifying and organizing them.

If you are in the neighborhood of Stumptown Printers, stop on by to see the progress of the projects listed above. You'll find me behind the Linotype keyboard.

* Yes, vinyl. I know. Sales are up on vinyl. I love it. There's nothing like building a relationship and appreciation for a band or artist when listening to a record. It's the way to do it. Also, as a printer, the larger format of a 12" record offers opportunity to lay down some fancy ink and artwork. That's all good. But it takes some serious coin to release a vinyl record, and it's a serious pain to haul records around on tour.

Mat Inventory, long overdue....

I squirreled away these 3 galleys of Caledonia after discovering them among a collection of matrices I recently purchased. I had no idea whether the fonts were complete or not, but was looking forward to running some tests. Recently I had the opportunity. I'm working on spec'ing type for a book project, and I'm hoping that this type will fit the bill. Rebecca took inventory of the mats - aside from a couple missing small caps, they appear to be complete. Next step: find a magazine to empty and clean....

Mother Foucault's July Events Calendar.

Mother Foucault's July Events Calendar. Edition of 300. Printed on newsprint.
Using some of newsprint's best pals, Linotype 8^502 Excelsior with Memphis Bold and 14^288 Memphis Extra Bold Condensed with Gothic No. 13. I love the functional beauty of those Linotype legibility faces - in this case complete with rowdy jumping lowercase "o" and dropping lowercase "t." This is the first time I had the opportunity to run these mats, I was pleased to find that they are in relatively good shape, and that they ran clean in the magazine. Mother Foucault's is hosting a lot of events these days, stop by and check one out and pick up a Linotype composed and letterpress printed events schedule.

Too Loud a Solitude

Quote from Bohumil Hrabal's book "Too Loud a Solitude" cast and printed during C.C. Stern Type Foundry open hours. Type cast on the foundry's 1948 Linotype Model 31. The colophon pictured above provides additional details. I believe that a couple of these prints are still available, ask for one the next time that you visit C.C. Stern Type Foundry.

Print production of unofficial Marfa Myths 2018 limited edition keepsake

Video clip of the print production of unofficial Marfa Myths 2018 limited edition keepsake. See additional pictures, specifications and information about this print here.